manual

First Rolls of Black & White Film Destroyed by brian finnegan

     My first film camera was a Minolta Maxxum 5. It was fully automatic. Focus, exposure, film advance. I loved it, but I wanted more. I wanted to be in more control. So I did some research and taught myself the ins and outs of fully manual film cameras. That brought me to my first manual SLR, the Ricoh KR-5.

     With a maximum shutter speed of 1/500, a broken light meter, and a 50mm lens, I decided to purchase my first real black and white negative film. Previously I was using Kodaks BW100CN which was a black and white film that could be developed as color in the usual c-41 fashion. I decided to go with the classic Kodak Tmaxx 400 black and white negative film.

     There was a perfect opportunity to test my new gear. It was the third year of the now annual and famous NYC Pillow Fight. I had gone the previous two years, first taking a digital point and shoot, then my Minolta, and then my Ricoh. I shot 2 rolls of 36 exposures. 72 frames of film. I went back to my home in New Jersey and brought my film to the same place I had always taken my film. Due to price and convenience, that place was Walmart. I gave them plenty of days to process since I knew it had to go to the lab and not just through their '1 hour photo'. I went to pick up my rolls, excited and hopeful.

     They had processed my rolls as color, effectively wiping all 72 frames from existence. As if they never happened. I will never know how I did, or what those photos looked like. Needless to say, I never went back to get my photos processed at Walmart.

     One famous story that falls under this category is the tragic story of the destruction of 3 out of 4 rolls of Robert Capas photographs taken during the D-Day invasion. Only 11 frames survived due to a technician's failure to take the films out of the drying rack in time.

     Moral of the story, trust your lab. Create a relationship with the people that you hand over your film to. Feel confident that they know what they're doing and that you can trust them with your hard work. Never again will I use a 1 hour photo drop off in a big chain store to handle my film ever again. Live and learn.

Best,

Brian

A Dive by brian finnegan

I honestly never thought I'd be doing this. Talking so openly about my photography. Sharing and offering my photography on such a personal level. This is a new road for me. I've been shooting families and children as a day job in my studio for years. I've been doing it for so long it's a routine, a shtick. I have my jokes, I have my poses, I have my voice. 

Shooting film on my own is something I've always done, but never as a routine or a job. Shooting film has never been 'work' for me. I love it too much to consider it work. But when I starting getting some inquiries from people asking me to take their picture, I was a little stunned and speechless. It took me about a week to really think about if I wanted to start offering my services and how to do so.

But then I started to get excited. I always want to shoot. I want to use new film. New cameras. Every roll is a chance. A chance to create something that has never existed. I want to experiment and play and produce beautiful images that make you stare. Would you like to help me take this dive?

Best,

Brian